I’m just
gonna put this on-record for everyone. Brace yourselves, this is a
controversial opinion that I’m never gonna be able to take back...
Man of Steel
sucks and Batman v. Superman sucks. I’ve already gone into detail about what I
hate about Man of Steel in my review (plug) and I’ll be reviewing Batman v.
Superman later this year. But before we do that, let’s take a look at the
movies at the other end of the scale.
Superman:
The Movie is one of the best rated superhero movies on Rotten Tomatoes, 93%
puts it up there with the Dark Knight, Guardians of the Galaxy, Iron Man and
the Avengers. Note how The Dark Knight is the only other DC movie in the 90+s
on Rotten Tomatoes. But we’re not here to judge the ratings, I’m here to judge
it for myself, using modern sensibilities because I think it'll be funnier. Let’s dig into Superman: The Movie and see what this has to
offer.
After a
scene demonstrating that their version of the Daily Planet looks something like the
one from the original coming we get our opening credits, and brace yourselves,
this will go on a while. I’ll happily tell you the music by John Williams is
awesome. But seriously, this opening credits sequence goes on for f*cking ever,
would it have done them any harm to put a few of these names together? Hell,
the even start doing that near the end.
After you’ve
officially aged for 15 years, we open on the Planet Krypton, or is it Krypten?
Some of the actors, including the guy playing Jor-El pronounce it wrong.
Anyway, after a load of pointless model shots we see Jor-El trying General Zod
and his cronies because they need to show up in Superman 2. They’re found
guilty and sentenced to the Phantom Zone for Superman 2. Good to see that
overacting isn’t a trait only the modern Zod had. Also, the sequence of the
trio being sent to the Phantom Zone is long and overly drawn out.
Jor-El tries
to persuade the Council of his theory that Krypton is going to go boom but they
don’t believe him. The other scientist argues that they’re just shifting orbit,
which seems a bit suspect to me but then I already know the outcome of this
story. The Council say that if he spreads word of this, he will be tried for
insurrection so he agrees to remain silent.
Meanwhile,
he’s working on a rocket to send his son in, as it’s his only chance for
survival. They discuss the powers he might have and what consequences will come
with that as Jor-El leaves a crystal in the rocket that does… something.
Apparently doing this has misused energy and the Council have called for
Jor-El’s arrest.
They load
the baby into the rocket as Jor-El makes a boring speech that amounts to
nothing. Can the Council Police burst in already? After they produce crystal for
Superman 2, which they place in the rocket) they prepare to launch, finally.
And of course, Krypton is having its final tremors before destruction because
of course it is. 30 days, 30 minutes, same thing really.
So Kal El escape and everything gets a red
filter. The subplot about Jor-El being arrested seems pointless, doesn’t it? So
yeah, Krypton goes boom. And we cut to Kal-El approaching Earth, very, very
slowly through some really cr*ppy looking special effects. Looks like Kal-El is
actually ageing during the flight. The ship lands in Smallville where Jonathan
and Martha Kent are driving.
Martha sees
the ship, which landed close by and a baby, capable of walking stands before
them. That’s nice and all but did we have to see his d*ck, that’s creepy. OK,
so you find a boy out in the middle of a field, completely naked, what’s the
responsible thing to do?
- Take him to local child services
- Try and find his real family
- Take him in as if he was your own
If you’re
answer is c, congratulations, you need the same pills Martha does. Jonathan
only comes around when he sees the kid can lift up his pick-up truck. So, you
see, kidnapping is OK, so long as the person you kidnap is useful.
We cut to
several years later, Clark is playing... I have no idea what and trying to impress
Lana Lang, but is ultimately foiled by some douche named Brad. He kicks a
football which we never see again and he runs with a train. See, keeping powers a
secret was not a lesson Jon or Martha sought to teach him. And by lucky
coincidence a young Lois Lane is on that train, sees him but isn’t believed.
And here’s a
scene that honestly is something that really was needed in Man of Steel. A
proper bonding scene between a young Clark and Jon. Jon soon after has a heart
attack, one which he senses coming in the way most people don’t. Anyway, Clark
doesn’t seem to be able to sense a heartbeat yet, so it took Martha screaming
for him to come back. And just like that, he’s dead, and buried in a field,
with a fence, not exactly the most dignified of graveyards.
Still,
unlike with his death Man of Steel, they actually have a scene set immediately
after where Clark realises that he still has limitations. He hears some static
on the radio and looks outside that night, it’s drawing him to the barn where
he finds the green crystal. The next morning he’s standing out in the fields,
he tells Martha that he has to leave for… reasons. But he does offer to arrange Martha
some help if she needs it.
The dialogue
is corny, it’s the late 70s so none of the dialogue would sound perfect but
it’s ultimately heartfelt and feels more like a loving connection. You got some
of that between Martha and Clark in Man of Steel but there was a bitterness to
it, especially since it was never addressed why Superman even left.
Anyway,
Clark heads North for some reason and comes across what will become his Fortress of Solitude. He gets out the green crystal and for some reason throws
it into the icy waters, it lands on some ice and begins sinking in and then
because it’s magic, I guess, it begins growing the Fortress of Solitude.
*Cough*bullsh*t*cough*
He examines
one of the crystals and slots into a tube, and through the power of utter utter
bullsh*t, this activates a hologram of his father, a hologram which gave me
grey hairs in the time it took to activate. I’m 24. Anyway, his
father says his hologram can give him answers. So after a scene entirely in
visual effects that little to do with things being said, Superman is
immediately in costume and able to fly. I’ll give Man of Steel credit, he
tried first.
Time to cut
to the Daily Planet, through the lenses of Jimmy Olsen’s very unfocused camera
and Lois Lane’s dyslexia? OK… And we get Clark Kent, bumbling idiot, mild
mannered, all that sh*t mannerisms that make him a perfect comic foil for…
well, basically everyone around him. Personally, I prefer it when Clark Kent
isn’t a bumbling fool. Clark’s intentions of being a reporter is to know about
disasters as they happen, he’s more likely to succeed in that if he’s actually taken seriously.
The next
scene, where he and Lois are mugged by the world’s stupidest mugger and he…
cowers in fear. There’s a difference between keeping your disguise and being a
cowardly wuss. Again, you need to be taken seriously for this sh*t to work. But
enough bumbling around, time for more death. 2 policeman have an eye on Lex
Luthor’s bumbling idiot assistant and follow him to a railroad, where Lex
Luthor’s secret base is located. Lex Luthor pushes the one of the cops into the
path of a passing train.
Lex Luthor
has a female companion who’s there because erm… because erm… oh look, she has
her breasts showing. Anyway, Otis, the bumbling idiot, brings Lex a newspaper
confirming 2 missiles... Exist, I think? OK, I guess this is 1978 where you’d need to do that,
and given his base is underground, he wouldn’t have television. Although what’s
confirmed I don’t know. Lex says his scheme has something to do with real
estate. Yay!
Back at the Daily Planet we’re beginning to fill the quota of Lois Lane spelling jokes.
Pretty sure they only ever did this once in the DCAU, and it was ambivalent,
not exactly a common word she was spelling. Anyway, time for more of the Clark
Kent comedy stick as he tries to woo Lois Lane because…
So, Lois
apparently has a helicopter waiting for her and if you’ve guessed where this is
going, so has the rest of the world. And it runs like clockwork. Accident
befalls helicopter, largely due to negligence, helicopter on verge of crashing,
Lois screams, a lot, Superman shows up and saves her. For its time, the effects
are pretty impressive. Bear this in mind when we get to Superman IV later down
the road.
Meanwhile
the slowest cat burglar in history manages to bump into Superman who is
sticking to the wall. Did he have that power in the 70s? I suppose he could be
hovering but it does look like his feet are touching the walls. The guy falls,
Superman catches him and brings him to the convenient officer below. Meanwhile,
again, there’s a police chase with gangsters which Superman picks up on. They
get away on the convenient boat but Superman shows up and arrests them. Here’s
something that was absolutely missing from Man of Steel. Superman didn’t really
get a chance to be Superman before being tossed into a city-destroying
conflict. And no, I don’t count that boat scene since that was pre-Superman.
And in case
you want some extra corniness, yes, he does rescue a cat from a tree. Although
in the dark turn it sounds like the girl gets beaten for her telling her
parents about it. Yikes. Meanwhile a plane, Air Force One no less is hit by a freak
bolt of lightning. Fortunately, Superman holds the wing and helps it make a
safe landing. That looks stupid, really, really stupid.
Cut back to
the Fortress where Superman is confessing to his father that he enjoyed helping
out. Jor-El offers a compromise where he can help as Superman. And credit where
it’s due, his reasons for having him maintain his identity as Clark Kent are
reasonable. Sure there’s the bog-standard, at least by today’s standards, reason
of protecting your loved ones and be sure never to tell them because that would
only put them at risk *cough*bullsh*t*cough* but the more interesting one, have
him be Clark so people don’t know who he is and begin contacting him for
trivial things humans can handle on their own.
So after the
elongated ending of that scene we see news coverage in TV shops, because that’s
the only way people can see the news this days. It catches the attention of Lex
Luthor. Wait, Lex Luthor does have working television? Then why the f*ck did he
need a newspaper to tell him about the nukes? Anyway he deduces immediately
that Superman must be an alien because only he’d be able to pull off such an
elaborate hoax. Right… what have you done so far? You’ve killed a cop, it’s not
exactly impressive. But hey, his plans are long term, what’s he building up
towards?
So, Perry
wants to know everything about Superman because it’d sell papers. Lois has a
card asking to meet her tonight at 8, signed ‘A friend’ right… I like this guy,
he’s no nonsense, he cares about sales but isn’t heartless in J Jonah Jameson
type way. Meanwhile, it’s 8 and Superman seeks out Lois and asks for an
interview. So, after the stupid sh*t gets asked, he reveals he can’t see
through lead, which I’m sure will never reach anyone’s ears, ever. I’m not going
to bring up Batman vs. Superman and them half-assing this sh*t, I’ll save that
for its actual review. Believe me, that piece of sh*t has it coming.
So, Superman
takes her flying and again, the effects are reasonably impressive, and again
it’s something to bear in mind when we get to Superman IV. Superman I think
drops her, although that could just be down to the extreme awkward and
impractical way that they’re flying but Superman catches her again. OK, this scene
was impressive but it goes on too long and has pointless inner monologue from
Lois. Let me enjoy the visuals, goddamn it!
So, after
bringing Lois back down, we see Clark knocking on the door and saying it was
their planned date. You signed it, “a friend” you could at least act like you
remember that! He almost tells Lois but chickens out at the last second for
reasons. So, Lois’ headline and comedy hi-jinks with Lex Luthor. We have a new
chick to show off her breasts or something. Anyway, Lex somehow deduces that
some chunks of Krypton may have made it to earth and because of… something I’m
sure, it’ll be lethal to Superman.
So, time for
an elaborate heist. With a military convoy about to head off, Luthor shuts them
down with a dummy that the dumb-ass military goods are so f*cking stupid they
make googly eyes over her rather than actually check to see that she’s real and
not a dummy. So, Otis does stupid things and we get more comic relief.
Fortunately,
take 2 involves a hauling truck with a house whilst random hot chick #3 does
sh*t. Meanwhile, Lois has been sent to interview some guy somewhere near a dam
who’s sold land for a sizeable profit and Jimmy’s taking photos. Clark arrives
at the planet and Perry explains where Lois is and exposits that 2 guards were
killed by someone breaking in to steal that meteorite I mentioned.
Lex Luthor
uses a high frequency sound wave to send a message to Superman, a technique
replicated by Lex Luthor in Young Justice. It’s actually a pretty clever ploy.
Anyway, he says he’s going to unleash poison gas and so Supes magically changes
costume mid-fall (he jumped out of a window) and heads off into the air. After
some time flying he heads underground. Lex Luthor wastes a considerable expense
on bullets he knows won’t have an effect, he passes through fire and ice with
minimal difficulty… Just get to the kryptonite already!
Anyway, the
whole gas thing was a ploy but it’s OK, Lex Luthor’s just going to explain his
evil plan. He buys up land, blows up the land that’s actually populated and he
makes a killing. Anyway, the missiles have launched and the destruct code isn’t
working. Apparently, Superman couldn’t stop them, not even with his great
speed. Except they were launched from the same point of origin and it’s only
been a few minutes. Yeah, Superman probably could…
But Luthor
has a remote detonator, apparently, Superman looks for it but ends up finding
the Kryptonite, that Luthor name drops there and then. He wraps a chain around
his neck and drops him into the pool. Turns out Luthor’s latest random chick
has a mother living in one of the target zones and she fulfils her very
important role by rescuing Superman, after making him promise to prioritise her
mother over Lois and Jimmy. I wonder... nah, that would be too stupid, right?
Anyway, she throws the kryptonite away and Supes immediately has his powers
back, without any solar recharge.
Anyway,
Superman saves New Jersey or wherever it was that whatshername’s mother lives
in but the other missile looks to be hitting its target. The missile hits its
mark and the chain reaction begins. Superman tries to stop it by fails. Lois
barely avoids random oil explosion and various other calamities are taking
place. So we have a school bus on a bridge and a train losing its tracks, two
relatively cliché but ultimately intriguing scenarios. Superman somehow manages
to repair some of the fault, rescue the kids and save the train and saves Jimmy
in their first scene together. Unfortunately, he’s too late to save Lois who’s
crushed quite painfully by rubble.
Superman
blocks the flow of the dam water using boulders straight out of a Road Runner
cartoon but eventually discovers his tardiness with Lois. We all know what’s
going to happen next, the scene is infamous. Superman flies around the world
backwards at Superspeed so fast he reverses the clock. Now, I hate to be the
one to pour cold water on this bonfire of bullsh*t but that’s not how science
works.
It doesn’t
matter how fast Superman is flying around the Earth. He could be travelling
millions of miles a second but he’s still taking time to do it. You have to be
travelling faster than the speed of light in a straight line for this to work.
And if you were, you’d only have travelled back in time in the respect that the
light hasn’t hit this area yet. I’m not a physicist but I have common sense,
feel free to correct me if I’m wrong.
Anyway,
Jimmy catches up and moans about being left behind. Superman takes off and they
think about why Clark wasn’t there. He wasn’t assigned with you, remember? He
could still be in Metropolis for all you know, this is stupid theory. Moving
on. Superman drops Luthor off in prison because screw due process, although
given Luthor’s stupid speech, he clearly isn’t going anywhere. So, we end with
Superman flying a bit and more of that gorgeous music.
So, that was
Superman: The Movie
Overall,
it’s an enjoyable movie. The effects are brilliant for the time period and the
cast largely do fine jobs, remember that for coming movies. The music is
awesome too and it is a decent adaptation of the superman comic books. It
captures the spirit of the comics much better than Man of Steel.
But it’s not
without its flaws. I’m not a huge fan of this portrayal of Lex Luthor although
that may just be compared to the Business type we see more in modern comics.
They also try a little too hard with the comic relief. From Otis being a
bumbling fool to Clark Kent being a bumbling fool to Lois Lane’s fawning over
Superman, it just got a little too much for me.
Some of the
shots drag on for too long and outstay their welcome, Jimmy Olsen feels more
there out of necessity rather than actually having something to do and I
honestly don’t see the point in Jonathan Kent dying.
But overall,
the lighter tone is more enjoyable and I feel this captures Superman in a way
Man of Steel failed to do.
Rage Rating -67%
Images used in this review are from Superman: The Movie and belong to their respective owners. All images in this review are subject to fair use.
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