I took a
look at the Percy Jackson movies side by side as a sequel baiting, concluding
that whilst neither of them were good, Sea of Monsters marginally edged out The
Lightning Thief as a better product. Now time to look at each of them as
individual entities.
I have now
read the first two Percy Jackson novels and… they were OK. It was a reasonably
engaging tale and I like the idea of Greek Gods operating in the modern world
but I felt like Percy got to see all the horror and calamity with none of the
fun and joy. And this may have been intentional, true to Greek myth and whatnot,
but was jarring to me as a reader. It kinda reminded me of the Spiderwick
Chronicles (the film anyway, and not in context, but in tone). The Lightning
Thief was the worst for this, as we continually saw that Percy was being blamed
for disasters caused by the monster fights, being essentially branded a
terrorist.
The writer
for this first outing and yes, there’s only one, is Craig Titley. He did the
not particularly good live action Scooby Doo movie, a couple of decent episodes
of Star Wars: The Clone Wars and a few from Agents of S.H.I.E.L.D. So, you
could argue this as a net positive, not seen Cheaper by the Dozen so can’t use
that to judge but it’s never a great sign when you only have one writer, and
no-one to reign him in.
Chris
Columbus is in the director’s chair, just off of the first two Harry Potter
movies, so at least he’s a guy with experience in this. The film made money but
not to the same level as Harry Potter did and got a more decidedly mixed
reception. Why? Let’s take a closer look.
Zeus’
lightning bolt has been stolen and because of poorly explained reasons, he
suspects the son of Poseidon has ordered the theft, as they can’t steal each
other’s possessions directly. He threatens war if the bolt isn’t returned to
him before the summer solstice.
Poseidon’s
son of question is one Percy Jackson, who is confronted by one of Hades’
monsters, disguised as a substitute teacher, searching for the bolt. Percy
lives with his mother, Sally and her abusive husband, Gabe. Deciding that Percy
is no longer safe at the house, Sally and Percy, along with Grover, a satyr
protector for Percy, head to the woods to camp for demigods, Camp Half Blood, they
are attacked by a minotaur and Sally is abducted by Hades
Percy,
Grover and Annabeth, daughter of Athena, who Percy had befriended earlier, set
out to rescue Sally from Hades’ clutches, will they be able to stop the war
between the gods whilst they’re at it?
So, saying
the book makes more sense, has better characterisation, and less unnecessary
pop music practically goes without saying. The humour is done better in the
book too, and this all coming from someone who is decidedly mixed on the book.
I won’t go into all the individual elements here, since the Dom has a lost in
Adaptation on this book/film and you should just go watch that.
What I will
say is Persephone’s pearls, one of the major plot mcguffins of this film, is a
stupid change that not only has no foundation in Greek Myth, but also makes the
plot more predictable and make less sense.
I get the
intention to have a more flowing narrative rather than it just being a series
of random encounters they have along the way. But the problem is there are 3
pearls collected thanks to their cheap rip-off of the Marauders map. And the
obvious problem is that there are 4 people coming out. No-one didn’t see this
twist coming. At least in the book, they were given these straight off, so had
no control over the number of them they had, but surely, they knew they’d need
4 of them, especially since one of them is the daughter of the goddess of wisdom.
Speaking of
the underworld, and Hades in general. They seem to be confusing Greek and
Christian mythology. The Underworld is not hell, at least not all of it. The
Underworld is where all dead people go, good, bad, unjudged, whoever. Hades is
not an evil god, he’s a manipulative dick, but that describes just about every
god in Greek Mythology, and from what I hear he’s one of the nicer ones.
He didn’t
want to start a war in the book, the last thing he needed was a greater influx
of dead folk. Also, what was Persephone doing there in the middle of summer? So
why was he after Percy in the books? Turns out his helmet, that allows him to
move in the dark without being seen was stolen too, he suspects by Percy,
that’s why he took Percy’s mother. Once he sees that Ares had the helm, he
restored her, and she in turn cleared Percy’s name in the media.
The book
removes two of its main villains, those being Kronos and Ares. Removing Kronos
presents a slight problem when it comes to Luke and his motivations. Why did he
give Percy the flying shoes if it wasn’t to lead him into Kronos’ trap once he
reached the underworld? It also means we’re not introduced to the main
antagonist of the entire franchise.
Removing
Ares is probably more understandable but means the climax takes place in the
air, Zeus’ domain and the one place Percy shouldn’t be when Zeus is angry with
him. In the book, the fight with Ares, there was no fight with Luke, took place
near the water, Percy’s source of strength. Luke got away scot free in this
book.
The
soundtrack’s use of pop songs often felt forced, the Highway to Hell moment in
particular. Because it’s not Hell, it’s the underworld. I don’t have many
complaints regarding the acting, though I feel those playing the Greek Gods were
giving at best passable performances. Persephone and Hades were among the
weaker ones.
Percy
Jackson and the Lightning Thief follows the broad-strokes of the plot of the
book, whilst diverging in many, often important details, this leaves the film
that feels very familiar if you’re a fan of Harry Potter or the like and aside
the inclusion of Greek Gods, something they do with mixed results, nothing
major is new here. It’s not the worst film I’ve ever seen but it could’ve been
a lot better
Rating
50/100
No comments:
Post a Comment
Feel free to leave a comment, whether you agree or disagree with my opinions, and you're perfectly welcome to. Please be considerate