The main
crew of the Millennium Falcon are iconic characters. Luke Skywalker, Leia
Organa, Han Solo, Chewbacca, C-3PO, R2-D2, even Lando Calrissian to a lesser
extent, but the one with most potential history to explore is Han Solo. How did
he become the man he was in the Star Wars films?
This project
has been in development by Lucasfilm for some time, even pre-dating the Disney
buyout. But production issues kept it from getting its feet off the ground in
one form or another. Lawrence Kasdan was initially hired to write the story,
he’d been involved in writing the original trilogy, but duties were passed to
his son Jonathan as he was picked up to write the Force Awakens. Jonathan
Kasdan had written a few episodes of Dawson’s Creek and wrote and directed In the
Land of Women and The First Time, both of which are niche films that received
mixed reviews and didn’t make much money.
Originally
penned as directors were Phil Lord and Chris Miller, hot off the heals of the
highly successful The Lego Movie, unfortunately creative differences with the
studio caused them to leave and be replaced by Ron Howard. Lord and Miller
would go on to be hired by Sony for Into the Spider-verse, so don’t feel too
sorry for them. Ron Howard would go onto to reshoot most of the film, inflating
the budget to nearly $300m
The film was
released in a crowded May-slot with the likes of Deadpool 2 and barely off the
heels of Avengers: Infinity War; it ended up making only $393.2m at the box
office, the first and only Star Wars film to make a loss at the box office.
But let’s
take a look at the story we ended up with and see if it’s a worthy addition to
the Star Wars timeline
Han Solo is
a thief on the planet of Corellia, he tries to make an escape with his
girlfriend Qi’ra, but they’re separated and to avoid attracting attention, he
signs up for the imperial Navy. Whilst in an intense battle, he joins up with a
crew of thieves and meets long time ally Chewbacca, they attempt to pull a job
but things go south quickly and they’re forced to dump the cargo, to the anger
of their employer, Dryden Vos, who Qi’ra now works for.
Faced with
having to make amends, it’s up to a small crew of thieves to carry out a daring
heist and avoid the attention of the Empire and the wrath of Dryden Vos.
I don’t
really have a lot to say about the story, which given that that’s what I
usually do is unusual. It’s a perfectly serviceable story. Not great but far
from bad and can see the character of Han Solo in how he was written.
In terms of
minor details, the reason why they named him Solo is dumb, Chewbacca being a
monster in a pit makes no sense and the Darth Maul cameo only makes sense if
you’ve seen The Clone Wars and/or Rebels, otherwise you might be wondering how
he’s still alive. The Kessel run sequence is there to try and wave off a bit of
scientific inaccuracy regarding what a parsec was in the original trilogy.
Alden
Ehrenreich does a good job as Han Solo. The problem is that Harrison Ford is
the definitive Han Solo and it’s difficult to appreciate a different actor in
such an iconic role. He carries a decent amount of Charisma and has a few of
his iconic lines thrown in. I hope he gets more work off the back of this,
although looking at his Wikipedia page it’s looking less likely. Unfortunately,
the problem is with the writers not wanting to veer too far from Han’s
established personality, they don’t give him a lot to work with in terms of
range.
Donald
Glover also does a great job as Lando. Both him and Alden got advice from the
main actors and Glover gives off the roguish charm I can imagine from someone
like Lando. They also give him a bit more range with his kinda-sorta love
interest L3-37. L3-37 is a droid activist and I’m just amazed nothing like this
has ever happened before. It’s maybe a matter of taste but I didn’t find her
annoying, that being said her shtick might’ve gotten old if she hadn’t died
when she did.
Her death
allowed for a few moments of morning and Donald Glover gets his time to shine.
The biggest lesson Han is supposed to learn is not to trust everyone, even
those he most cares about. This is a lesson that isn’t really carried forward
into the original trilogy and unfortunately the way it’s handled is especially
predictable. Everyone is double-crossing everyone and hence everyone is
predictable, something the film itself even acknowledges.
Tobias Beckett
(Woody Harrelson) is a fine example of a predictable character. He serves as
Han’s mentor for most of the film but gets very little of his own to chew on.
He has no sign of regret when he betrays Han, nor is Han particularly moved
when he shoots him (and yes, Han shot first, haha, this has been dug into the
ground already)
Qi’ra is
perhaps a little more interesting, Emilia Clarke gets to play a character torn
between a roguish man who left her behind or an abusive man that she owes a
debt to and will likely kill her if she leaves. Her betrayal doesn’t come out
of left field because Beckett had constantly warned Han that this is exactly
what she was going to do.
Drydan Vos
is boring, my apologies to Paul Bettany but he’s about as far from interesting
as you can get. You can tell he was added in reshoots, not because of the
special effects but he spends his entire performance on one set, and does
nothing of consequence. Oo, watch out for those knives, they’re definitely more
dangerous than a blaster.
The action
is pretty solid during the heist and a few bits in the finale. But one thing
that holds this film is the special effects. Both of the first 2 planets we see
are covered in smoke and I can’t help but feel this is a deliberate attempt to
lower CG costs. Don’t need to create and render a background if it’s just
smoke. The problem is it makes the action difficult to follow for those 2
scenes.
The problem
is just as odd during the Kessel run sequence. The visuals effects are good but
what we see isn’t that interesting and of course there’s some giant monster
living there, that’s Star Wars 101 by now.
Solo: A Star
Wars Story is serviceable; it’s not ranked up their with the greats but it’ll
entertain you for 2 hours before you forget about it almost immediately after.
The character beats are shallow with a predictable story that makes Han the
least interesting character of the bunch and the special effects in places
aren’t as great as we know Lucasfilm can do.
But by god
is it better than Rise of Skywalker. We’ll be talking about that sh*tshow soon!
Rating
65/100
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