Now here’s a
name that’s narrowly been escaping my radar these past few years, Michael Bay.
Yeah, if
you’re a fan of Transformers or the Teenage Mutant Ninja Turtles you’ve most
likely heard of him. Not necessarily favourably either as a lot of problems
keep repeating. In all honestly, I’ve never watched Transformers or the Ninja
Turtles movies, I was a little young when this lot came out so it holds no
nostalgic value for me. But I’m fully aware of problems people have with Bay
movies, over-focus on side-characters, incomprehensible fight scenes, over-use
of explosions and of course, the way he portrays female characters. Not to
mention egregious product placement
But what
about away from the nostalgic action films. Well, he did Pearl Harbour.
Honestly it does say something when Transformer’s has best Rotten Tomatoes
score of anything he’s directed since the 1996. But we’re not looking at
something he directed, he only produced this movie but much like with the Ninja
Turtles movies, you can see his influence none the less.
So, for this
last instalment of Time Month
This is
Project Almanac
High
schooler David Raskin is admitted to MIT but fails to win the scholarship that
would pay for his fees. With his mother wanting to sell the house to pay for
them, David searches his father’s old junk for one last chance and what he
finds will change his world.
OK, let’s
start with the Bay-isms very much present in this movie. Product Placement – a
Toyota Hybrid became a necessary piece of finding the experiment, a Toyota
Corolla is mentioned (though not shown) in a later scene and a slow-mo shot of
Red Bull. It’s not much compared to the masses of it in a Transformers movie
but this movie was made on a $12m budget, it didn’t need a lot of product
placement to make its money back. There also is a weird portrayal of women in
this. The two female leads do not interact with each other. One exists almost
purely as a romantic interest and the other has a bullying issue introduced out
of no-where and resolved just as quickly. Oh, and she takes her top off in one
scene. Classy!
Time travel
has limitless possibilities, that’s why I decided to do this theme month. You
can have secret agents wanting to change their relationship status to a
transsexual person being the mother and father of herself and using time travel
to position yourself inside a painting. This movie is relatively small in scope
in comparison to some of the movies I’ve covered in this one, but that doesn’t
make the situation less intriguing. Or at least, it doesn’t to me
The cast are
largely young adults and to start with they do use their ability to time travel
for selfish reasons. To get revenge, to get rich and, of course, to pursue
romance. And I’ll give the movie this, there is enough there for me to
establish something of a connection to the characters to understand their motivations
and I think that’s down to the banter they share. I’m not saying the dialogue
is Oscar-worthy or anything but it’s fit for purpose.
But I
suppose we need to address the elephant in the room. It’s a found footage
movie. If you saw my review of Sleep No More you’d know I’m no fan of found
footage, or really the horror genre in general but I have more fundamental
problems with its use here. I
There’s a
scene where they’re robbing a school (our heroes) of hydrogen, why are they
filming that? Also, none of the extras or minor characters react to the fact that
there are people filming everything that they do. Unfortunately, the fact that
it’s found footage is quintessential to the plot and particularly the
ending, one of the better parts of the movie.
My overall
opinion is this movie is okay, which, given what 2035 was, makes me glad to have
at least mediocre to end on
Rating
50/100
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