Baby is only
there because he owes Doc money after stealing his car and all his goods when
he was an angry child, but he thinks it’s nearly over and they’re square. But
he soon finds out that while they’re definitely square, it’s never going to be
over. Complicating matters for him further is him meeting Debora (Lily James)
they quickly bond and it’s one of his few sources of happiness in life, so what
can he do when the next heist goes horribly wrong.
I suppose I
should start with the USP of this movie over other action movies, the music. Part of
Baby’s character is that he was involved in an accident that screams Jessica
Jones too me. His parents were both killed because they were too busy arguing
to see what’s ahead of them. Instead of super strength, Baby was left with
tinnitus, and listens to music to drown it out.
That gives
them a great reason for a fantastic soundtrack and boy does this movie have
that but that’s nothing new, what’s great here is the sound editing. The music
is timed to the action, which is unimpressive if it were a custom soundtrack
but this is timed to actual songs and it shows incredible direction, sound
design, editing, writing the whole works. Edgar Wright truly showed his talents
with this project.
Whilst there
are some minor set-pieces in the lead-up to the final heist, there are 3 major
car sequences in the movie. They cleverly introduce the characters for the
final heist during the first two, allowing us to get a feel for what the
characters are like before the sh*t hits the proverbial fan. Jamie Foxx’s Bats
seems the least stable of the 3, and you might think is the biggest threat,
something confirmed later as he stages a shootout after discovering what he
thinks is an undercover cop.
But they
turn it on its head, the last survivor is in fact Jon Hamm’s Buddy, the
seemingly friendliest of the 3 crew-members and the most emotionally stable. At
least until his wife Darling (Elsa Gonzales) is killed when the sh*t hits the
fan, a fact he blames Baby for. Their final confrontation combines the good
stunt driving we’d been seeing, with some great moments of tension.
Each of the
3 heists features plenty of stunt driving set-pieces. None of them go on long
enough to outstay their welcome and they’re all well shot, and of course, timed
to the music.
So, I have
now watched this film 4 times, and I’ve come to the conclusion that I love this
movie in spite of its faults, which I will now go over. Obviously
the issues with Kevin Spacey playing a character like this given his
accusations are obvious, but I can’t fault the filmmakers for that too much as the allegations came out after this movie's initial release.
More
importantly is the mix-tape thing. One of Baby’s quirks is making mix-tapes of
conversations he has during his heists. Not only is that incredibly stupid but
when it’s ultimately discovered there are no real lasting consequences to it. There
are 2 reasons it exists, the first is when Baby plans to leave in the night, he's stopped, something that could’ve easily been accomplished without the
tapes and the second is to have Baby want to come back to Doc wanting the tape
belonging to his mother. If Doc had just decided to just use it as leverage to
get him on board, this could’ve still happened without Baby being a massive
moron.
Some of the
romantic banter is a little, terrible too.
But in spite
of 2 minor flaws in my eyes, I still thoroughly enjoy this movie, even if less
so than during the my original watch.
Rating
80/100
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