It's still Spider-man Month
Watching
those 3 movies made me want to make a deal with Mephisto. They were all
god-awful. And no-one is going to change my mind on that. I’ll get onto the
Amazing (the title, I’m not saying they’re amazing) movies next week, suffice
to say I find them a lot more enjoyable, even if they are flawed.
But that’s
next week. This week we look at Greg Weisman and Victor Cook’s attempt to bring
life into the wall-crawler. Bear in mind, for the purposes of the review, I
have not been able to watch all the episodes. I’m doing most of this off
memory, so there may be a few inaccuracies. Obviously spoilers will be discussed.
The Spectacular Spider-man was not the first attempt to bring Spidey to life in animation. We have the 60s and the 90s animated series, followed by a few others including Spider-man Unlimited, none of which I’ve watched in any detail. I can only tell you what I have watched has been ok, nothing special but OK. (I am aware the 90s animated series is considered a classic, but has aged badly when compared to the 90s Batman series)
The show
only lasted 26 episodes over 2 seasons, the end came about because of the
animated rights to Spider-man being returned to Marvel. Sony still had the
rights to the show, so Marvel would’ve had to pay commission for Sony to
produce the show, which was unlikely to work out so Marvel decided to
commission another Spider-man series, I’ll get to that in my retrospective in 2
weeks, but suffice to say: it’s an unfortunate template the other Marvel shows
were following.
But I
digress. This show really didn’t have enough time to cement itself as one of
the greats, but I think, given the quality of the show, it could’ve easily have
become one.
We begin
with Peter as an already established Spider-man but if you’re worried that
audiences wouldn’t know his origin. We see his spider-bite and DNA changes in
the opening title sequences, which actually mirrors the clever Spider-man 2 opening in
some regards. The title sequence introduces us to a few members of the
supporting cast, that are likely to have some importance in the episode. And
then we have the theme song.
In the 60's
we have a tune very much of it’s time
“Spider-man,
Spider-man, does whatever a spider can, spins a web, any size, catches thieves,
just like flies…”
This version
is a little more energetic, and modern
“Living on
the edge, fighting crime, spinning webs, swinging from the highest ledge, he
can leap above our heads…”
The 60's
theme is and will always be iconic with the character, but I know which one I’d
rather sing.
Rather than
having overreaching arcs for each season, and filling the gaps with pointless
filler (ala Avengers Assemble) Spectacular goes for 3-4 episode arcs it works
really well. I’ll briefly go over them
Season 1 arc
1: Introduction: We get an intro for Spider-man, and his supporting cast and
villains. (You think Spider-man 3 had too many villains, there were 8 villains
in the FIRST episode of the show, 11 if you count soon to be villains like
Doctor Octavius, Eddie Brock and Norman Osborn) we also see the origins of the
Vulture, Electro and the Lizard
Season 1 arc
2: super-villain gambit. We have the ‘big man’ a villain whose presence will be
a part of the series for pretty much its entirety creating super-villains to
distract spider-man. It’s actually quite a clever way to introduce 3 big bads,
we get Shocker, Sandman and the Rhino for this arc.
Season 1 arc
3: the Goblin strikes: We get the first view of Steve Blum’s exceptionally
crazy Green Goblin, who wages war on the big man, and creates an accident that
transforms Octavius into Doctor Octopus. The stage is set for a revealation
that will come back at a later stage.
Season 1 arc
4: Venom. I said this was the venom arc done right, and whilst his origins in
the movie are closer to the comics, I think this works pretty well. We start
with the symbiote being brought in for study, only for known super-thief Black
Cat to try and steel it, in the ensuing fight the symbiote bonds with spidey
and proves that it’s actually useful, hence justifying Peter actually keeping
it! Anyway, this story not only introduces Venom, we get Black Cat, Chameleon,
and the first appearance of the sinister 6 (consisting of Shocker, Vulture, Doc
Oc, Electro, Sandman and Rhino) and we get a bit of a delve into the Uncle Ben
side of Spider-man’s origin (unlike in either of the movies, there really isn’t
an argument between the Parkers, it’s more the moral dilemma of whether it’s OK
to cash in on his abilities, hence ‘with great power comes great
responsibility’ (you know, he never actually said that in the original comic)
which I think works fairly well)
Season 2 arc
1: The Master Planner. The Master Planner (it’s Doc Oc, it’s hardly a secret)
begins to bring together super-villains for his new plan. We get Mysterio and
Kraven the Hunter as new villains, who go onto to join the new incantation of
the Sinister 6 (with Doc Oc and Shocker being replaced by by Kraven and
Mysterio) before the final showdown with Doc Oc (and yes, I know it's supposed to be Doc Ock, but I can't bring myself to use that because there's no k in Octopus, and Oc has the same pronunciation)
Season 2 arc
2: Venom’s revenge: as Spidey fights sandman once again, Eddie Brock gets
Spider-man paranoid enough to reveal the location of the hidden symbiote, they
rebond, and try to wreak their revenge on the wall-crawler. We also get Colonel
Jupiter for a brief period, before a bizarre story where Venom reveals Peter’s
identity to the Bugle. The end result is actually a smart move for what was
seemingly a small moment from season 1. I won’t reveal the details here.
Season 2 arc
3: Gang War. The Master Planner is back, hiding in the shadows, and keeping
tabs on the super-villains. The Big Man is up against an old rival known as
Silvermaine, and his daughter Silver Sable. He pulls out all the stops, giving
specialised suits to his enforcers, allowing the recreation of Ox and Ricochet,
who work alongside Shocker. The end gang war begins because of a betrayal of
the Big Man’s assistant Hammerhead, and ends with all of the gang leaders being
arrested, but with the revelation that the scheme was orchestrated by the Green
Goblin
Season 2 arc
4: Goblin triumphant. The Green Goblin uses his newfound control of the
underworld in attempt to kill Spidey. He uses his connections to create Molten Man, the final new supervillain of the series. Spidey ends up in a tough
spot, having to team up with the Black Cat to take out all the super-villains
in the prison. Complicating matters is that Black Cat came into the prison to
rescue her father, who also happens to be the mugger who killed Ben Parker. The
final episode is where the Green Goblin launches a massive ambush on the wall
crawler, turning the city into a death trap and using a mountain of goons
combined with his own abilities. It’s a massive battle gives us new insight
into the twist from season 1.
So as you
can see, spidey gets a lot of action, but Peter Parker is far from ignored, in
fact, it’s amazing just how many characters get an arc. Money troubles, curfews
and amateurish mistakes become interesting parts of his 1st season.
A love triangle between him, Gwen and Liz Allen dominates season 2. But it’s
not just him that gets a character arc. Liz Allen, Mary Jane, Harry Osborn,
Flash Thompson, J Jonah Jameson (actually giving him a valid, if selfish,
reason to hate Spider-man,) Captain Stacey, Kurt Connors, Gwen Stacey, just
about the entire main cast get an arc of some sort. And it’s exceptionally good
to see, very few writers could pull this off, but the writing team here are on
top form here.
The voice
acting is also top notch: Josh Keaton kills it as Peter Parker/Spider-man, solid
performances from Clancy Brown playing the Rhino and Captain Stacey, James
Arnold Taylor playing Harry Osborn, Steve Blum playing the Green Goblin and the
Chameleon, Kevin Michael Richardson as Tombstone (I know he was the second actor in the role, but he voiced-matched it almost perfectly) and Vanessa Marshall as Mary
Jane Watson. I also give credit to the other voice actors: Lacey Chabert is an
excellent Gwen Stacey, Alan Rachins does a great Norman Osborn, Ben Diskin was
a frightening Venom and a decent Eddie Brock. Peter MacNicol does a great job
as Doctor Octopus, and there are many others I could name
But there is
a black mark against the series: the design choices. As not exactly an avid
reader of the comics, I’m not qualified to talk about the design choices for
the villains or their choice of characteristics for the villains. My biggest
issue is with a particular design choice. The eyes are very basic in design,
white balls with massive irises and no pupils. This comes off looking rather
odd, like it was simplified for a toy.
It takes a
bit of getting used to but I implore that you try because this show is
fantastic. Really good animation, fantastic music, stories that outmatch the
movies 10-fold and all whilst balancing Peter Parker and Spider-man perfectly.
I’d be hard-pushed to pick out a favourite episode for each season, I love it
that much.
For more reviews click here
Images used in this review are from The Spectacular Spider-man and belong to their respective owners. All images in this review are subject to fair use.
For more reviews click here
Images used in this review are from The Spectacular Spider-man and belong to their respective owners. All images in this review are subject to fair use.
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